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Dayanita Singh

POP-UP BOOKSHOP / MY OFFSET WORLD

Opening: Thursday, October 18, 6–8pm

October 18 – December 16, 2018

A hand holds a teak wood frame with a black and white photograph of a pothi, a knotted package made of fabric.

Pothi Box, 2018. 30 image cards, teak wood enclosure, inscribed napkin, 6 1/2 x 7 7/8 x 1 inches (16.5 x 20 x 2.5 cm). Edition of 360.

A photograph of the exterior of Dayanita Singh's Pothi Boxes, which are wrapped in linen napkins with 2 pothi knots visible. The boxes are laying on a black table, and the image is a close-up of 9 boxes.

Pothi Box, 2018. 30 image cards, teak wood enclosure, inscribed napkin, 6 1/2 x 7 7/8 x 1 inches (16.5 x 20 x 2.5 cm). Edition of 360.

A 3 x 3 grid of 9 books, each contained in a teak wood frame. They have varied colors of linen (crimson, teal, green, navy) and each book has a different black and white photograph on the cover. They are hung on a white wall.

Museum of Gestures, 2018. 9 Museum of Chance books in teak wood enclosures, 12 x 13 x 1 inches, each (30.5 x 33 x 2.5 cm).

A set of two books within teak wood enclosures. Their covers have teal linen, and 2 black and white photographs adhered to the cover. There are hinges in the middle of the object so it could fold in half. The image at left is an empty interior with On Kawara date works on the wall and a square window. The right image is a stone sculpture squatting.

Mona and Louise, 2018. Extracted diptych from Museum of Chance Book Object, 2 wooden structures hinged together, 12 x 26 x 1 inches (30.5 x 66 x 2.5 cm)

A set of two books within teak wood enclosures. Their covers have teal linen, and 2 black and white photographs adhered to the cover. There are hinges in the middle of the object so it could fold in half. The image at left is Mona laying on a couch with photographs and artworks on the wall. The right image is Mona looking up, with a television behind her and a mirror

Mona and Myself, 2018. Extracted diptych from Museum of Chance Book Object, 2 wooden structures hinged together, 12 x 26 x 1 inches (30.5 x 66 x 2.5 cm)

The backside of a cotton, sleeveless knee-length garment, in crimson.

My Life as a Museum (back side), 2018. Cotton coat with 9 pockets, inscribed with "My Life as a Museum." Edition of 3.

An installation view of "Sent a Letter" where each of the 7 accordion photo-books are unfolded and visible on a white shelf hung on the wall. You see 4 of the brown leather cases that surround the linen box, meant to hold all 7 books.

Sent a Letter, 2008/2017. Leather case embossed with poem, teak wood enclosure, 7 accordion-fold offset printed booklets, 3 1/2 x 6 inches (8.9 x 15.2 cm). Edition of 7

The front side of a cotton, sleeveless knee-length garment, in navy. There are 9 pockets in the jacket, and each contains a small blue book. The garment has a floral interior, visible in the image.

My Life as a Museum, 2018. Cotton coat with 9 pockets, inscribed with "My Life as a Museum." Edition of 3.

A white pillow with "Go Away Closer" embroidered in grey-blue.

"Go Away Closer" pillow, 2018. Cotton pillow inscribed with “Go Away Closer,” 15 x 10 x 4 1/2 inches (38.1 x 25.4 x 11.4 cm).

Press Release

Callicoon Fine Arts is pleased to present a special project by Dayanita Singh. The project marks a significant step towards realizing the artist’s long-standing desire to offer her “book objects” for sale in a pop-up shop or bookstore setting, staged here in the gallery. The book objects are publications by Singh, often made in collaboration with Gerhard Steidl, that expand upon her photographic practice, concurrently acting as photobooks, art objects, catalogues, and exhibitions. 

The book objects are installed like museum gift store items and situated among other objects created by Singh, recalling museum retail. A glass carafe, a coat, a silk scarf, a poster, and canvas bags act as souvenirs and mementos of the artist’s many projects. This experimental form of photography exhibition and distribution opens the institutional categories of art to redefinition.

The Pothi Box, presented here for the first time, is an unbound book of thirty image cards held together in a wooden structure. The box is meant to be hung on a wall or placed on a table. The set of images, which depict archival documents and materials, are not to be separated from each other or the box. The structure, however, has been built to allow the collector to change the front cover image as they please. Pothi Box has been published in a limited edition of 360 and is available in exhibition format only, acquired directly off the wall where another object will take its place. It is the book object version of the larger Pothi Khana museum structure, which will be on view at the 57th Carnegie International at the Carnegie Museum of Art in Pittsburgh concurrently with the pop-up shop at Callicoon Fine Arts. 

To produce the image cards, Singh uses offset printing — a technique commonly used for the production of books, newspapers, and other published material. Offset printing allows Singh to produce hundreds of high-quality editions of her book objects, which she brings to the gallery wall to replace the standard silver gelatin print. Singh elevates the value of the book, no longer serving as an exhibition catalogue but rather the exhibition itself. In doing so, she also disrupts the book’s fixity, allowing its sequence to be rearranged on the wall. 

Shown alongside the Pothi Box are three earlier book objects: Museum of Gestures, File Room, and Sent a Letter. Museum of Gestures is a unique subset of nine book objects from a larger series titled Museum of Chance Book Object. File Room, like Pothi Box, emerged from Singh’s ongoing interest in the paper archive. Sent a Letter is one of Singh’s earliest published projects that initiated her work on “pocket museums.” Currently out of print, copies will be made available here in customized leather cases. Like her book objects as a whole, these works reflect upon the viewer’s relation to the archive and museum, and the artist’s obsession with turning the book into its exhibition.

As Singh has stated, by owning one of her book objects, you become a curator of a museum of her work. The book objects serve to arouse the excitement of the would-be collector and to democratize the acts of collecting and curating. 

To learn more about Singh’s practice please visit her YouTube Channel, “Dayanita Singh Studio.”

The Offset Artist
https://youtu.be/kGpezp896rk

Museum of Chance Book Object
https://youtu.be/R89s2mk-REU

Kochi Box
https://youtu.be/7qO2vQBymmE

Pocket Museum/Museum Bhavan
https://youtu.be/4okdktn3Qmk

Suitcase Museum
https://youtu.be/TkDDd2MetGA
 

Dayanita Singh is an artist, born in 1961 in New Delhi, India. Her medium is photography and the book is her primary form. She studied visual communication at the National Institute of Design in Ahmedabad, India, and documentary photography at the International Center of Photography in New York. The International Center of Photography awarded her the 2018 Infinity Award for her book, Museum Bhavan (2017). This year, she will participate in the 57th Carnegie International at the Carnegie Museum of Art in Pittsburgh, Pennsylvania. She has published twelve books: Zakir Hussain (1986), Myself, Mona Ahmed (2001), Privacy (2003), Chairs (2005), Go Away Closer (2007), Sent a Letter (2008), Blue Book (2009), Dream Villa (2010), Dayanita Singh (2010), House of Love (2011), File Room (2013), and Museum of Chance (2014). Singh has had solo exhibitions at the Museum für Moderne Kunst (MMK), Frankfurt (2014); Art Institute of Chicago, Illinois (2014); Hayward Gallery, London (2013); Frith Street Gallery, London (2012); and the MAPFRE Foundation, Madrid (2010). She has also participated in the Kochi Biennale, Delhi, India (2014); the 55th Venice Biennale (German pavilion, 2013); The Unseen: the Fourth Guangzhou Triennial, China (2012); the 54th Venice Biennale (ILLUMInations, 2011); and Manifesta 7, Bolzano, Italy (2008). 

Callicoon Fine Arts is located at 49 Delancey Street between Forsyth and Eldridge Streets. Gallery hours are Wednesday to Sunday, 10:30am to 6:30pm. The nearest subway stops are the B and D trains at Grand Street and the F, J, M and Z trains at Delancey-Essex Street.

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