images

 
  • installation view, A.K. Burns: Shabby but Thriving, 2017, New Museum, New York. Photo: Maris Hutchinson / EPW Studio
  • installation view, A.K. Burns: Shabby but Thriving, 2017, New Museum, New York. Photo: Maris Hutchinson / EPW Studio
  • installation view, A.K. Burns: Shabby but Thriving, 2017, New Museum, New York. Photo: Maris Hutchinson / EPW Studio
  • installation view, A.K. Burns: Shabby but Thriving, 2017, New Museum, New York. Photo: Maris Hutchinson / EPW Studio
  • Corporeal Soil, 2017, topping soil, foil-wrapped hard candy, resin, dimensions variable
  • installation view, A.K. Burns, Fault Lines, Callicoon Fine Arts, New York, 2017
  • installation view, A.K. Burns, Fault Lines, Callicoon Fine Arts, New York, 2017
  • Known Unknown, 2016, sandblasted steel, 80 x 43 1/4 x 5 inches (203.2 x 109.9 x 12.7 cm)
  • installation view, A.K. Burns, Fault Lines, Callicoon Fine Arts, New York, 2017
  • Because She Is,  2017, aluminum, fiberglass, brass, oil paint, cotton fabric, pigmented resin, drop cloth, enamel primer, 62 x 39 x 3 inches (157.5 x 99.1 x 7.6 cm)
  • Post Times (Weather Report), 2017, newspaper, acrylic, 35 x 28 1/2 inches (88.9 x 72.4 cm), framed 40 x 33 5/8 inches (101.6 x 85.4 cm)
  • installation view, A.K. Burns, Fault Lines, Callicoon Fine Arts, New York, 2017
  • installation view, A.K. Burns, Fault Lines, Callicoon Fine Arts, New York, 2017
  • She Was Warned, 2017, cement hydrocal mix, concrete, rebar, steel wire, steel concrete reinforcement, plastic, pigmented resin, 73 x 25 x 12 inches (185.4 x 63.5 x 30.5 cm)
  • installation view, A.K. Burns, Fault Lines, Callicoon Fine Arts, New York, 2017
  • Hand Out (She Was Warned), 2017, cement hydrocal mix, rebar, steel wire, nitrile glove, gold plated brass, 4 x 10 inches (10.2 x 25.4 cm)
  • Known Known, 2016, sandblasted steel, 80 x 43 1/4 x 5 inches (203.2 x 109.9 x 12.7 cm)
  • installation view, A.K. Burns, Fault Lines, Callicoon Fine Arts, New York, 2017
  • installation view, A.K. Burns, Fault Lines, Callicoon Fine Arts, New York, 2017
  • Unknown Unknown, 2016, sandblasted steel, 80 x 43 1/4 x 5 inches (203.2 x 109.9 x 12.7 cm)
  • installation view, A.K. Burns, Fault Lines, Callicoon Fine Arts, New York, 2017
  • Ripstop, 2017, aluminum, fiberglass, brass, ripstop nylon, zipper, enamel primer, copper plated silver, pennies, 42 x 21 3/4 x 10 inches (106.7 x 55.2 x 25.4 cm)
  • Release Valve, 2017, aluminum, fiberglass, brass, oil paint, iron-on, air mattress, fishing lures, 52 1/2 x 21 3/4 x 4 3/4 inches (133.4 x 55.2 x 12.1 cm)
  • Leave No Trace, 2016, vinyl record, zip-bag, nitrile gloves, 31min 8sec, Edition of 300
  • installation view, A.K. Burns, Fault Lines, Callicoon Fine Arts, New York, 2017
  • Video still, A Smeary Spot  2015  4-channel video installation; Video 1-3: HD color, 6-channel sound, 53:13 min loop. Video 4: SD b/w, silent, 4:00 min loop. Edition of 3.
  • Video still, A Smeary Spot  2015  4-channel video installation; Video 1-3: HD color, 6-channel sound, 53:13 min loop. Video 4: SD b/w, silent, 4:00 min loop. Edition of 3.
  • Video still, A Smeary Spot  2015  4-channel video installation; Video 1-3: HD color, 6-channel sound, 53:13 min loop. Video 4: SD b/w, silent, 4:00 min loop. Edition of 3.
  • Installation view, A Smeary Spot, Participant Inc., NY  2015  4-channel video installation; Video 1-3: HD color, 6-channel sound, 53:13 min loop. Video 4: SD b/w, silent, 4:00 min loop.
  • Installation view, A Smeary Spot, Participant Inc., NY  2015  4-channel video installation; Video 1-3: HD color, 6-channel sound, 53:13 min loop. Video 4: SD b/w, silent, 4:00 min loop.
  • before the wake, 2014, Spirulina, polyurethane, torn catalog pages containing photos of Glen Canyon, Utah taken by Tad Nichols before it was dammed in 1956, 9 x 10 1/2 inches (22.9 x 26.7 cm)
  • before the wake, 2014, Spirulina, polyurethane, torn catalog pages containing photos of Glen Canyon, Utah taken by Tad Nichols before it was dammed in 1956, 9 x 10 1/2 inches (22.9 x 26.7 cm)
  • before the wake, 2014, Spirulina, polyurethane, torn catalog pages containing photos of Glen Canyon, Utah taken by Tad Nichols before it was dammed in 1956, 9 x 10 1/2 inches (22.9 x 26.7 cm)
  • before the wake, 2014, Spirulina, polyurethane, torn catalog pages containing photos of Glen Canyon, Utah taken by Tad Nichols before it was dammed in 1956, 9 x 10 1/2 inches (22.9 x 26.7 cm)
  • installation view, A.K. Burns, Ending with a Fugue, Callicoon Fine Arts, New York, 2013
  • installation view, A.K. Burns, Ending with a Fugue, Callicoon Fine Arts, New York, 2013
  • installation view, A.K. Burns, Ending with a Fugue, Callicoon Fine Arts, New York, 2013
  • Untitled (workshirt)  2013  aluminum  21 3/4 x 34 1/2 inches  55.2 x 87.6 cm  (Inv# AB033)
  • Untitled (workshirt)  2013  aluminum; 21 3/4 x 34 1/2 inches; 55.2 x 87.6 cm  (Inv# AB033)
  • Untitled (work shirt)  2013  aluminum; 13 x 42 inches; 33 x 106.7 cm  (Inv# AB034)
  • Barrier Island (Overextended Stay)  2013  sand, resin, cayenne, bee pollen, spirulina, beet powder, catalogue pages, bamboo; 78 1/4 x 32 x 3 1/2 inches; 198.8 x 81.3 x 8.9 cm  (Inv# AB037)
  • Barrier Island (Overextended Stay)  2013  sand, resin, cayenne, bee pollen, spirulina, beet powder, catalogue pages, bamboo; 78 1/4 x 32 x 3 1/2 inches; 198.8 x 81.3 x 8.9 cm  (Inv# AB037)
  • still from The Orchid Show  2013  HD video; 13 min 34 sec. Edition 3/3.  (Inv# AB036.3)
  • Hard Rock  2012  digital c-print; 30 x 44 inches; 86.4 x 111.8 cm. Edition of 3.  (Inv# AK021)
  • Hard Rock  2012  digital c-print; 44 x 30 inches; 111.8 x 86.4 cm. Edition of 3.  (Inv# AK023)
  • Installation view, pregnant patron penny pot, Callicoon Fine Arts, NY, 2012
  • Installation view, pregnant patron penny pot, Callicoon Fine Arts, NY, 2012
  • Installation view, pregnant patron penny pot, Callicoon Fine Arts, NY, 2012
  • Window In My Way  2012  penny, archival inkjet image transfers on vinyl coated canvas; 14 x 11 x 4 1/2 inches; 35.6 x 27.9 x 11.4 cm  (Inv# AB008)
  • Fertility Bull  2012  penny, archival inkjet image transfer on vinyl coated canvas; 15 1/2 x 10 x 4 inches; 39.4 x 25.4 x 10.2 cm  (Inv# AB009)
  • Like a Rock  2012  wood, formica laminate; 32 1/2 x 23 x 2 7/8 inches; 82.6 x 58.4 x 7.3 cm  (Inv# AB014)
  • Time to Remodel  2012  wood, formica laminate; 60 x 15 x 15 inches; 152.4 x 38.1 x 38.1 cm  (Inv# AB013)
  • Hooker  2012  wood, formica laminate; 23 x 14 3/4 x 10 3/4 inches; 58.4 x 37.5 x 27.3 cm  (Inv# AB16)
  • Installation view, Touch Parade, TAG, The Hague, The Netherlands  2011  set of 5 HD videos; (wading), 3:41 min; (pedal pump), 5:45 min; (squeeze-2-pop), 5:49 min; (crush), 9:22 min; (glove love), 6:58 min. Edition of 5.  (Inv# AB006)
  • Installation view, Touch Parade, the Sculpture Center, Long Island City, NY  2011  set of 5 HD videos; (wading), 3:41 min; (pedal pump), 5:45 min; (squeeze-2-pop), 5:49 min; (crush), 9:22 min; (glove love), 6:58 min. Edition of 5.  (Inv# AB006)
  • Video still, Touch Parade  2011  (wading), 3:41 min. Edition of 5.  (Inv# AB006)
  • Video still, Touch Parade  2011  (pedal pump), 5:45 min. Edition of 5.  (Inv# AB006)
  • Video still, Touch Parade  2011  (crush), 9:22 min. Edition of 5.  (Inv# AB006)
  • Video still, Touch Parade  2011  (glove love), 6:58 min. Edition of 5.  (Inv# AB006)
  • Video still, Touch Parade  2011  (squeeze-2-pop), 5:49 min. Edition of 5.  (Inv# AB006)
  • A.K. Burns & A.L. Steiner, video still, Community Action Center  2010  video; 69min. Edition of 5.  (Inv# ABAS100)
  • A.K. Burns & A.L. Steiner, video still, Community Action Center  2010  video; 69min. Edition of 5.  (Inv# ABAS100)
  • A.K. Burns & A.L. Steiner, video still, Community Action Center  2010  video; 69min. Edition of 5.  (Inv# ABAS100)